Exploring the Complex

Despite being called a "Fort," the complex at the end of Hauz Khas Village's main road is actually a madrasa (Islamic college) and the tomb of one of Delhi's finest sultans, Firoz Shah Tughlaq, who ruled from 1351 to 1388.

Firoz Shah is known for transforming this area into a center of learning and culture. The tradition of learning in Hauz Khas continued in post-independence India with the establishment of the College of Engineering in 1961, which became the Indian Institute of Technology (IIT) Delhi in 1963.

Reaching the Hauz Khas Complex

Option 1: Hauz Khas Metro Station/IIT Metro Station + Auto Ride

Take the Delhi Metro's Yellow Line to Hauz Khas or the Magenta Line to the IIT Metro Station. From there, it's a 10-minute auto-rickshaw ride to Hauz Khas Village. This is the most convenient option, short of a direct taxi. Auto fare typically ranges from ₹40 to ₹50.

Option 2: Green Park Metro Station + Walk or Auto Ride

Take the Delhi Metro's Yellow Line to Green Park Metro Station and enjoy a 20-minute walk through the Green Park neighborhood. This route takes you past the local market and gives you a feel for the area's residential character. The walk is mostly flat and well-paved.

Once you reach the village, follow the main road past the cafes and boutiques. The complex entrance is clearly marked at the end.

Openings Hours

Hauz Khas Fort is open every day from 08:00 AM to 06:00 PM

Entry Tickets

How To Book Tickets Online

1. Visit ASI’s official portal

2. Select Delhi -> Hauz Khas from the monument list

3. Choose a visit date and time (forenoon or afternoon)

4. Specify:

   1. Origin and country

   2. Name, age, and gender

   3. Phone number and email

   4. Passport details

5. Pay via UPI/Credit Card/Debit Card

6. Receive your digital ticket via email

   
   

Here's a quick video tutorial for reference:

Site Plan, Layout & Key Structures

Area Map

The Madrasa complex is laid out in a distinctive L-shaped structure hugging one corner of the ancient lake that bears the name Hauz Khas Lake. The two wings served as student dormitories, with Firoz Shah's tomb positioned strategically at the center where the wings meet. One side of the wings features a beautiful garden with pavilions, while the other faces the water.

Key Structures

Assembly Hall

Where scholars gathered for lectures and discussions

Mosque

A prayer space now closed off to visitors, featuring jharokha windows facing the lake

Garden Pavilions

Three elegant canopies, likely funerary structures of important figures associated with the Madrasa

Northern Wing

Student quarters with stunning lake viewpoints

Western Wing

Multi-level dormitories with lower chambers

Tomb of Firoz Shah

The centerpiece where the great sultan rests

Brief History

Hauz Khas traces its roots to the 13th century during Alauddin Khalji's reign, when the massive "Hauz-i-Alai" water tank was built to supply the Siri fort. But it was Firoz Shah Tughlaq who truly brought this place to life in the 14th century.

Under Firoz Shah's 37-year rule, Hauz Khas became a beacon of learning. He revitalized the ancient tank, renaming it the "Royal Tank" or "Hauz Khas," and built around it a lake-facing madrasa and a mosque. The madrasa earned fame across the Islamic world as a center of scholarship.

What makes this place special is how Firoz Shah designed the madrasa in an L-shape around the lake, placing his own tomb at the bend. It's as if he wanted to keep watch over the center of learning he'd created, even in death.

Architecture

The Tughlaqs were practical builders, and this complex shows their genius for combining beauty with function. You'll find a mosque, madrasa, and tomb all in one integrated design—a combination that reflects Seljuk architectural influence.

The tomb's west wall, facing Mecca, doesn't have the usual decorative niches. Instead, it connects directly to the madrasa halls—a clever bit of design that makes the whole complex feel unified. The madrasa's wings are double-storied, with stairs that once led down to the water tank.

The inward-sloping walls and kangura (crenellation) patterns on the garden pavilions remind one that this was still a time when beauty had to be balanced with defense.